Review - Doomsday movie

This is the assignment for students XII IPA 1&2, XII Language Program and XII accelerated class
The following text is a review text, read carefully and give your comment about the writing. It is taken from cohttp://movies.nytimes.com/2008/03/15/movies/15doom.html


Questions
1. Did the writer evaluate the weakness and the strength of the movie?
2. What did he evaluate?
3. Did he like the movie? Which paragraph supports your answer?
4. In which paragraphs did the writer tell the story of the movie?
5. After reading the text, what ages are suitable to see that movie? 

Doomsday (2008)

March 15, 2008

Confronting a Killer Epidemic That Wouldn’t Die

By MATT ZOLLER SEITZ

Published: March 15, 2008

“If you’re hungry, here’s a piece of your friend,” snarls a jailer in the post-apocalyptic action picture “Doomsday,” sliding a plateful of charbroiled man-flesh to a captive.

If that line fails to make the film’s midnight-movie ambitions clear, the British writer and director Neil Marshall offers many other clues: hands, legs and heads lopped off in bloody close-ups; a nonstop soundtrack of adrenaline-stoking rock ’n’ roll; a shot of a cute little bunny blasted into rabbit stew by a remote-controlled sentry cannon.

“Doomsday” is set in the near future, years after the British government quarantined a plague-ravaged Scotland and let its inhabitants die out. The decision is believed to have killed the disease along with the Scottish population, but when it surfaces in London, officials reveal that a hardy band of Glasgow inhabitants survived the epidemic and might hold clues to a cure.

Enter the stoic, one-eyed mercenary Eden Sinclair (Rhona Mitra, of the television show “Nip/Tuck”), who is ostensibly entrusted with leading a team of soldiers into Glasgow on a mission to find a doctor-turned-political leader named Kane (Malcolm McDowell) and learn how the Glasgow contingent survived. Really, though, Eden is mainly on hand to impersonate another sci-fi hero, Snake Plissken from John Carpenter’s “Escape From New York,” and to punch, kick, run and shoot her way through situations shamelessly cribbed from Mr. Carpenter’s film, George Miller’s “Mad Max” trilogy, “Aliens” and other dystopian touchstones.

“Doomsday” has an appealing punk-rock sneer, but aside from a few clever music cues — including a Fine Young Cannibals song that accompanies a deranged bacchanal given by fine young cannibals — swagger is, unfortunately, its only notable quality.

The film’s bellowing, Mohawk-topped villain, Sol (Craig Conway), is a personality-free retread of Vernon Wells’s memorable Wez from “The Road Warrior.” Major supporting characters — including a squad leader, played by Adrian Lester, and a gruff yet caring boss, portrayed by Bob Hoskins — are so lifeless they could have been cast with inflatable dolls. The final chase, modeled on an epic set-piece from Mr. Miller’s second “Mad Max” movie, is likewise a bust, substituting gore, shaky camerawork and chop-chop editing for Mr. Miller’s symphonic build-up and release.

Mr. Marshall gained a cult following with his 2002 debut feature, “Dog Soldiers,” about British troops menaced by werewolves in the Scottish highlands, and acquired serious (and well-deserved) critical respect for his 2005 film, “The Descent,” about a group of female spelunkers who encounter terrifying creatures while exploring a network of caves.

In terms of story, “The Descent” and “Doomsday” are as different as two genre films can be, but the falloff in artistic quality is still quantifiable. Where “The Descent” was a slow, quiet, exquisitely modulated, startlingly original film, “Doomsday” is frenetic, loud, wildly imprecise and so derivative that it doesn’t so much seem to reference its antecedents as try on their famous images like a child playing dress-up. Homage without innovation isn’t homage, it’s karaoke.

“Doomsday” is rated R (Under 17 requires accompanying parent or adult guardian). It includes nudity, bad language and extreme violence.